As directors of Community Little Theater’s recent youth production of Peter Pan Jr., we thank Bonnie Shulman for her letter (Aug. 5), and would like to address her concerns.
J.M. Barrie wrote “Peter Pan” in 1904, with the Charlap/Styne musical premiering in 1954. Like many shows from that era, the story had sections that do not withstand modern scrutiny. The original included “Indians,” a native Neverland tribe allied with Peter against Captain Hook. The editors of PPJ recognized that including them could be considered insensitive (even racist), and added director notes communicating their challenge to counter negative stereotypes while remaining true to Barrie’s story. Although the editors softened the more offensive Indian references, they valued the contribution of this smart, tough group led by a strong female and did not wish to eliminate them.
We saw this potential negative impact and talked with the actors, reading them the editors’ notes, discussing the time frame/perceptions of that day, and about how ideas have changed during the past several decades. We examined offensive stereotypes and considered how to portray those characters. Due to theatrical rights, we could not change the script, so we worked within that framework. Costume design kept with the theatrical tradition of Peter Pan. Choreography used yoga-based poses, focusing on the strength and discipline of the Brave Girls.
PPJ sparked a great discussion with our young actors about stereotypes and respect. We thank Shulman for her support, and give our assurance that this “teachable moment” was not lost.
Linda Vaillancourt, Lewiston, and the Peter Pan Jr. production team
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